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  • 碎片与完整之间:椭圆

    Between Fragment and Whole: Oval

    2011

    艺术家Jeannet Iskandar的作品受到辩证一元论的影响,认为世界终究是一个统一的整体。她的系列作品《碎片与完整之间》都是圆形(正圆、卵圆和胶囊形)组成,通过涂以罕见的哑色呈透明状,表面看起来像是运用了高科技的冬季保护色。发光的乳白色中心好像在推动各个部分同时舒展与收拢,使观者产生一种达到极致的有深度和动态的错觉,给人留下一种碎片在呼吸和扩张的感觉,似乎只能通过自己的目光将它们重新聚集起来。

    The pieces from her Between Fragment and Whole series are all round (spheres, ovoids and capsules) and translucent with occasional muted color elements, which give their surfaces the appearance of a hi-tech winter camouflage.  Their milky, light-emanating centers seem to push forth parts that are simultaneously opening and closing.  This culminates in an illusion of depth and motion that leaves viewers with a sense of the pieces breathing and expanding.  It is as if we hold them together with our gaze.

    艺术家简介 About The Artist

    32-2

    Jeannet Iskandar

    Denmar/丹麦

    *1960

    艺术家Jeannet Iskandar的作品受到辩证一元论的影响,认为世界终究是一个统一的整体。她的系列作品《碎片与完整之间》都是圆形(正圆、卵圆和胶囊形)组成,通过涂以罕见的哑色呈透明状,表面看起来像是运用了高科技的冬季保护色。发光的乳白色中心好像在推动各个部分同时舒展与收拢,使观者产生一种达到极致的有深度和动态的错觉,给人留下一种碎片在呼吸和扩张的感觉,似乎只能通过自己的目光将它们重新聚集起来。

    The pieces from her Between Fragment and Whole series are all round (spheres, ovoids and capsules) and translucent with occasional muted color elements, which give their surfaces the appearance of a hi-tech winter camouflage.  Their milky, light-emanating centers seem to push forth parts that are simultaneously opening and closing.  This culminates in an illusion of depth and motion that leaves viewers with a sense of the pieces breathing and expanding.  It is as if we hold them together with our gaze.